viernes, 18 de agosto de 2017

Alan Hovhaness - magnificat op 157 & other choral works

Hovhaness - Magnificat
1. Magnificat, Op. 157 [29:15]*
o I. Celestial Fanfare (1:50)
o II. Magnificat (2:01)
o III. Et Exsultavit (1:43)
o IV. Quia Respexit (1:48)
o V. Omnes Generationes (1:06)
o VI. Quia Fecit Mihi Magna (2:05)
o VII. Et Misericordia (1:45)
o VIII. Fecit Potentiam (2:29)
o IX. Esurientes Implevit Bonis (2:17)
o X. Suscepit Israel (0:55)
o XI. Sicut Locutus Est (5:03)
o XII. Gloria Patri (6:13)
2. Psalm 23 - Cantata from Symphony No. 12, Op. 188 [9:52]*
o I. The Lord is my Shepherd (Psalm 23:1-3) [mountain waterfall ad lib] (4:58)
o II. Thou Preparest a Table (Psalm 23: 5,6) (4:54)
3. A Rose Tree Blossoms, Op. 246, No. 4 (2:13)
4. Jesus, Lover of my Soul, Op. 53b (3:18)*
5. Jesus Christ is Risen Today, Op. 100, No. 3b (1:42)*
6. The Lord's Prayer, Op. 35 (3:27)
7. Peace be Multiplied, Op. 259, No. 1 (2:30)
8. O For a Shout of Sacred Joy, Op. 161 (2:38)*
9. Out of the Depths, Op. 142, No. 3 (2:28)*
10. O God, our Help in Ages Past, Op. 137 (2:57)*
Donald Pearson, conductor Eric Plutz, organ St. John's Episcopal Cathedral Choir St. John's Episcopal Cathedral Boys and Girls' Choir St. John's Episcopal Cathedral Festival Orchestra
*indicates that the Boys and Girls' Choir joined the Cathedral Choir in performing the work


jueves, 17 de agosto de 2017

Quire [1975 rca victor - bg1 1700] [grupo vocal] Francia

uire - Quire

Quire - Quire (1975)[RCA BG1 1700]

01   Blue Rondo a la Turk  5:21    
02   Misty  2:59                  
03   Ain't Misbehavin'  3:02      
04   Django  4:38                  
05   Take the "A" Train  3:40      
06   Honky Tonk Train Blues  3:00  
07   Lullaby of Birdland  2:25    
08   Waltz for Debby  1:20        
09   Teach Me Tonight  4:06        
10   Dancers in Love  1:57        
11   Body and Soul  4:21          
Total Time  36:53

Michel Barouille(vo ten)
Christian Chevalier(vib)
Martin Drew(ds)
Jose Germain(vo bas)
Chris Laurence(b)
Christiane Legrand(vo sop)
Claudine Meunier(vo alt)


martes, 15 de agosto de 2017

Caccini Giulio - Le nuove musiche

Intérprete: Giulio Caccini
Álbum: Le Nuove Musiche  (Montserrat Figueras, vocal)
Género: Renaissance (1400-1600)
Año: 1984
01  Amor ch'attendi
02  Amor, io parto
03  Tu ch'hai le penne
04  Non ha'l ciel
05  Alme luci beate
06  Vedrô 'I mio sol
07  Tutto 'I di piango
08  Dolcissimo sospiro
09  Dalle porta d'oriente
10  Amarilli mia bella
11  Movetevi a pietà
12  Belle rose porporine
13  Queste lagrim' amore
14  Torna, deh torna
15  Con le luci d'un bel ciglio

lunes, 24 de julio de 2017

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viernes, 9 de junio de 2017

Antonio de Cabezón - Tientos y Glosados - Ensemble Accentus

1. Diferencias Sobre La Gallarda Milanesa
2. Tiento I
3. Fabordon Y Glosas Del Primer Tono Ilano
4. Ancol Que Col Partire
5. Himno: Ave, Maris Stella VI
6. Pavana Con Su Glosa
7. Pues A Mi Desconsolado – Juan de Cabezón
8. Dic Nobis, Maria
9. Diferencias Sobre Guarda Me Las Vacas
10. Diferencias Sobre El Canto De La Dama Le Demanda
11. Fabordon Y Glosas Del Sexto Tono
12. Diferencias Sobre El Canto Del Cauallero
13. Pavana Italiana
14. Tiento XVIII
15. Himno: Te Lucis Ante Terminum
16. Du Uien Sela
17. Susana Un Jur: Glosado  - Hernando de Cabezón
18. Romance: Para Quien Crie Yo Cabellos
19. Himno: Pange Lingua V
20. Rugier, Glosado De Antonio

Polyphonies vocales de aborigenes de Taiwan


jueves, 8 de junio de 2017

Ethiopie - Polyphonies Et Techniques Vocales, 1968

Ethiopie: Polyphonies et Techniques Vocales
Label: Ocora
Catalog#: OCR 44
Editeur: Harmonia Mundi
Format: Vinyl, LP
 Country: France
Released: 1968
Genre: Folk, World, & Country
Field recordings & photographs by Jean Jenkins.
Produced by Charles Duvelle.
Notes: Recorded with the support of Office de coopération radiophonique.
Songs performed by members of the Dorze, Rashaida, Ghimira, Gidole, Maji, Aderi, Sidamo, Guji,
Tigre and Galla Ethiopian ethnic groups.
Comes with an 8-page insert.
A1   Canon (3:30)
A2   Diphone (3:32)
A3   Duo (1:50)
A4   Duo (0:58)
A5   Polyphonie (3:28)
A6   Polyphonie (3:02)
A7   Duo (1:58)
B1   Choeur D'hommes (1:40)
B2   Ensemble (1:25)
B3   Choeur D'hommes (3:30)
B4   Récitatif (2:00)
B5   Choeur Des Jeunes Filles (3:00)
B6   Choeur D'hommes
B7   Ensemble (3:40)

Review by Eugene Chadbourne, All Music Guide "The black album" is often how world music fanatics refer to this recording, most often to identify it from among many other collections of Ethiopian vocal music. There is a rumor that the usually reliable photographers used for these projects of the Horniman Museum came up blank, since lavish color and black-and-white photography is a trademark of the Ocora series. A few black-and-white shots are provided in the
inner booklet to a cover that is pitch black except for title lettering, but the creator of the entire project, Jean Jenkins, seems to have been more concerned with collecting a concise yet thorough set of examples of the different types of innovative and remarkable vocal music from this country. Many of the musical techniques found in the music of Ethiopia differ from most other types of African music, including aspects of vocal music arrangement that are more likely to be found in a classical music piece. Some of the different tribes represented here have been subjects of entire album anthologies on their own, such as the Dorze, whose polyphonic canons are strictly organized and repeated exactly to form. The music of the Rashaida, on the other hand, has both a catchy melody and an interval of a fifth that gives it a bit of the feel of an American folk song. The repetitive, cyclical, and subtly shifting music of the Ghimira brings to mind avant garde composers such as Steve Reich, while the amorous howling of the Gidole sounds a bit like a pack of drunks on the approach until one's ear sorts out the unison parts. The Ghimira come back with an even stronger, more soulful number, this time beating out a rhythm on their shields with sticks. Maji music is pure magi(c): Like the pygmies, they create a music of patterns combining with yodeling and the sound of bamboo flutes.
The Guji are perhaps more representative of typical examples of Ethiopian music presented in classroom overviews. Looking for ways to keep students awake, professors will happily subject them to the strange buzzing, whistling, and panting techniques that are part of this people's singing style. Yet the real way to get these students to tune in would be to play the music of the Tigre people, chosen to conclude the album since it would be pretty difficult to follow up. These folks like to make a sound effect by cupping a hand under an armpit and pumping air through. Whoever is able to create the best sound grabs the solo spot, jumping to the center of the circle. The liner notes
kindly inform listeners, "It is difficult to continue for more than a few seconds,
and the soloists change very frequently."
~ Eugene Chadbourne, All Music Guide


lunes, 29 de mayo de 2017

Música Barroca Valenciana

Hola, hola, au
Lamentación II de feria V a solo de tiple, dos flautas dulces y címbalo  
Lamentación sola con violines
Maria Virgo Assumpta
Morir es probar dulzuras  
Mortales que amais
Oigan al bobo
Recercada a tres de dos triples
Recercada a tres sobre el pange lingua
Venid valencianos  


domingo, 28 de mayo de 2017

Grupo de Cámara Narval . concierto didáctico de música A Capella

Materiales de formación para el profesorado de música de Educación Secundaria :
breve recorrido por la historia de la música vocal-coral :
concierto didáctico de música A Capella, Grupo de Cámara Narval

Material de apoyo a los conciertos didácticos que programa la Dirección General de Educación de la Comunidad de Madrid.
Se conciben como actividades de formación del profesorado de Secundaria y
para ser incorporados a sus respectivas programaciones. Recoge un breve recorrido por
la historia de la música vocal-coral, desde la Edad Media hasta nuestros días

01 - Anónimo - Ut queant laxis
02 - Alfonso x el sabio - Cantiga nº 100
03 - Juan Del Enzina - Hoy comamos y bebamos
04 - Tomás Luis de Victoria - Ave maria
05 - Orlando di Lasso - O la! o che bon eco!
06 - John Dowland - Come again
07 - Claudio Monteverdi - Lasciatemi morire
08 - Georg Friedrich Haendel - Canticorum jubilo
09 - Anónimo ss. svii-sviii - Dona nobis pacem
10 - Wolfgang Amadeus Mozart - Ave verum corpus
11 - johannes brahms - wiegenlied
12 - Richard Genée - Ensalada italiana
13 - Heitor Villa-Lobos - Rosa amarella
14 - Rodolfo Halffter - Epitafio de dulcinea
15 - Howard-Emerson (arr.  Wirsching) - Hello, my baby
16 - Peter Gritton - Follow that star
17 - Lennon-Mccartney - When i'm sixty-four
18 - José María Cano (arr. Narval) - Hijo de la luna

The Chambelanes - Misa Criolla A Capella. A.Ramirez - Motetes del siglo de oro español

Álbum: Misa Criolla a cappella
Género: Classical
Año: 1999
01  Misa Criolla a cappella - Kyrie
02  Misa Criolla a cappella - Gloria
03  Misa Criolla a cappella - Credo
04  Misa Criolla a cappella - Sanctus
05  Misa Criolla a cappella - Agnus Dei
06  Ecce virgo concipiet
07  Jubilate Deo omnis terra
08  Maria Magdalene
09  Missa de la Batalla escoutez - Kyrie-Christe
10  Missa de la Batalla escoutez - Gloria
11  Missa de la Batalla escoutez - Sanctus
12  Missa de la Batalla escoutez - Hosanna-Benedictus
13  Missa de la Batalla escoutez - Agnus Dei
14  Ave Maria
15  O vos omnes
16  Laudate Pueri (Psalmus 112/113)


martes, 23 de mayo de 2017

Choral Adagios

Barber: Adagio for Strings, Op.11/2 (Arr. Runswick)
by London Voices & Terry Edwards
Mozart: Ave verum corpus, K.618
by The Choir of King's College, Cambridge & James Vivian & Stephen Cleobury
Gounod: Ave Maria, CG89a (from Bach Prelude in C, BWV 846)
by Ben Hulett & Helen Tunstall & Choir of New College, Oxford & Edward Higginbottom
Fauré: Pavane, Op.50
by Choeur de l'Orchestre Symphonique de Montréal & Orchestre Symphonique de Montréal & Charles Dutoit
Franck: Panis Angelicus, Op.12, FWV 61
by The Choir of King's College, Cambridge & James Vivian & Stephen Cleobury
J.S. Bach: Suite No.3 in D, BWV 1068 - Arr. Runswick - 2. Air
by London Voices & Terry Edwards
Stanford: Eight Part-songs, Op.119 - The Bluebird
by Choir Of New College, Oxford And Edward Higginbottom
Rodrigo: Concierto de Aranjuez - 2. Adagio (Arr. Runswick)
by Michael Conn & London Voices & Terry Edwards
Mascagni: Cavalleria rusticana - "Regina coeli laetare"
by Julia Varady & The London Opera Chorus & The National Philharmonic Orchestra & Gianandrea Gavazzeni
Ravel: Pavane pour une infante défunte, M.19 (Arr. Runswick)
by London Voices & Terry Edwards
Rossini: O Salutaris Hostia
by Choir Of New College, Oxford And Edward Higginbottom
Brackett: Simple Gifts
by The Mormon Tabernacle Choir & Jerold Ottley
Tavener: Song for Athene
by The Choir of King's College Cambridge & Stephen Cleobury
Puccini: Madama Butterfly / Act 2 - Coro a bocca chiusa (Humming Chorus)
by Wiener Staatsopernchor & Wiener Philharmoniker & Herbert von Karajan
Allegri: Miserere
by Alastair Hussain & The Choir of King's College, Cambridge & Edward Gardner & Stephen Cleobury

Disc 2

J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - Jesu, Joy of Man's Desiring
by Choir Of St. John's College, Cambridge & Peter White & George Guest
Handel: Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)
by Capricorn and Choir of New College, Oxford and Edward Higginbottom
Rutter: What Sweeter Music
by Choir Of New College, Oxford And Edward Higginbottom
Schubert: String Quintet in C major, D. 956 - 2. Adagio (Arr. Runswick)
by London Voices & Terry Edwards
Traditional: Shenandoah
by The Mormon Tabernacle Choir & Jerold Ottley
Fauré: Requiem, Op.48 - 7. In paradisum
by Choeur de l'Orchestre Symphonique de Montréal & Orchestre Symphonique de Montréal & Charles Dutoit
Borodin: String Quartet No.2 in D major - 3. Notturno (Arr. Runswick)
by London Voices & Christopher van Kampen & Terry Edwards
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23, TH.55 - 2. Andantino semplice - Prestissimo - Tempo I (Arr. Runswick)
by London Voices and Peter Aronsky and Terry Edwards
Rachmaninov: Vespers (All-Night Vigil), Op.37 - 3. "Blazhen muzh"
by Choir Of New College, Oxford And Edward Higginbottom
Beethoven: Symphony No.7 in A, Op.92 - 2. Allegretto (Arr. Runswick)
by London Voices & Terry Edwards
Mozart: Piano Concerto No.21 In C Major, K.467 - 2. Andante (Arr. Runswick)
by Peter Aronsky & London Voices & Terry Edwards
Fauré: Cantique de Jean Racine, Op.11
by Choir Of St. John's College, Cambridge & Stephen Cleobury & George Guest
Traditional: Te Lucis ante Terminum (after "Song Of The Birds")
by Helen Tunstall & Choir of New College, Oxford & Edward Higginbottom
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
by Stuttgart Hymnus Boys Choir & Stuttgarter Kammerorchester & Karl Münchinger

viernes, 19 de mayo de 2017

Vocal Sampling - Asi de Sampling 2017

Vocal Sampling - Así De Sampling

01 El Lunes Que Viene Empiezo
02 De Cuba
03 El Carretero
04 Tiene Que Haber De To
05 Every Breath You Take
06 Five Minutes More
07 Dolor Y Perdón
08 Está Lloviendo
09 Buscando Guayaba
10 El Juego
11 Blowing In The Wind
12 Dos Gardenias / Veinte Años
13 Tian Mi Mi
14 De Cuba (Radio Edit)


miércoles, 17 de mayo de 2017

Josquin Desprez - Stabat Mater

Josquin Desprez (1440-1521)
Stabat Mater, Motets

1. Ave Maria
2. Stabat Mater dolorosa
3. Salve Regina
4. Ave nobilissima creatura
5. O bone et dulcissime Jesu
6. Usquequo, Domine, oblivisceris me
7. Miserere mei, Deus

Playing time: 56'

Annelies Coene, Laurence Orlowski, Dominique Verkinderen,
Graeme Curry, Vincent Darras, Catherine Joussellin, Bouke
Lettinga, Betty van den Berghe, Jean-François Barrès,
Josep Benet, Hervé Lamy, Angus Smith, Richard Wilson,
Renaud Machart, Frits Vanhulle, Laurent Bajou, Pieter
Coene, Kees Jan de Koning, Jean-Louis Paya

Recording date: May 1986

The performance is by a moderate-sized mixed choir.
This is the best selection of Josquin's motets available on one recording.
The Miserere is one of Josquin's finest compositions.

Le Chapelle Royale, dir: Phillipe Herreweghe


domingo, 14 de mayo de 2017

King's Singers - Renaissance (Josquin Desprez)


Josquin des Pres - Missa Pange lingua / Missa La sol fa re mi

Josquin des Pres (c. 1440-1521)
Pange lingua

Missa Pange lingua / Missa La sol fa re mi
Plainchant / Canto piano / Plain-chant / Cantus planus

01. Pange lingua (3-36)

Missa Pange lingua (29-25)
02. Kyrie
03. Gloria
04. Credo
05. Sanctus & Benedictus
06. Agnus Dei I, II, III
Missa La sol fa re mi (28-28)

07. Kyrie
08. Gloria
09. Credo
10. Sanctus & Benedictus
11. Agnus Dei I, II, III

Recorded in Merton College Chapel, Oxford

The Tallis Scholars: Sally Dunkley, Deborah Roberts,
Timothy Wilson, Robert Harre-Jones,
Rufus Muller, Nicolas Robertson, Donald Greig,
Francis Steele.


Des Prez - Missa Hercules Dux Ferrariae


martes, 9 de mayo de 2017

Josquin Desprez - Rifkin, Nonesuch Consort - Chansons, Frottole & Instrumental Pieces


Josquin Desprez - De Vlaamse Polyfonie

Josquin des Prez
De Vlaamse Polyfonie #08

Josquin des Prez:
01. Douleur me bat 2'57
02. Plusiers regretz 2'27
03. Fortune destrange plummaige 1'39
04. Ile fantazies de Joskin 2'27
05. O virgo prudentissima 5'45
06. Domine ne in furore 7'54
07. Si j'avoye Marion 1'42
08. Je ne me puis tenir d'aimer 2'46
09. Allegez moy 3'52
10. Entre je suis en grant pensee 1'21
11. Faulte d'argent 2'25
12. Adieu mes amours (lute) 2'41
13. Adieu mes amours (choir) 3'44
14. Cueurs desolez par toute nation 1'54
15. A l'eure 1'35
16. Absolve, quaesumus 6'34
17. Mirabilia testimonia tua 9'47


Capella Sancti Michaelis / Currende Consort - Erik Van Nevel

Guillemette Laurens (mezzo-soprano), Katelijne van Laethem (soprano), Jan Caals (alto), Jan van Elsacker (tenor), Erik van Nevel (alto shawm, tenor), Job Boswinkel (bass); Bruce Dickey (cornet), Harry Ries (alto sackbut), Charles Toet (tenor sackbut), Wim Becu (bass sackbut), Marcel Ketels (recorder), René van Laken (viol, tenor shawm, rebec), Norbert Kunst (alto & tenor shawm), Piet Stryckers (viol), Philippe Malfeyt (lute, percussion), Johan Laleman (organ); Lieve Jansen, Maaike van Steenbergen, Gertie Lindemans, Hilde De Dobbeleer, (choir sopranos); Leen Willems, Els Spanhove, Hans van den Broeck, Alma Ooms, Paul de Troyer (choir altos); Werner Trio, Jeroen van Esser, Lode Somers (choir tenors); Arnout Malfliet, André Vierendeels, Ludo Peeters, Fabrice van de Putte (choir basses)

Copyright date: 1995
Eufoda 1167
Also issued in De Vlaamse Polyfonie (10 CDs)

Again, Josquin is given center stage. Liner notes in the other releases refer to him often.
Here the performance is often quite stately... maybe overly "big" in some of the chansons,
but definitely an interpretation to be regarded.


domingo, 30 de abril de 2017

Einojuani Rautavaara - Lorca suite, op.72

Einojuhani Rautavaara ( Helsinki, Finlandia, 9 de octubre de 1928-ibídem, 27 de julio de 2016)

Rautavaara: Suite De Lorca - 1. Canción De Jinete
Rautavaara: Suite De Lorca - 2. El Grito
Rautavaara: Suite De Lorca - 3. La Luna Asoma
Rautavaara: Suite De Lorca - 4. Malagueña


Jan Dismas Zelenka - De Profundis-Miserere - Requiem


Jordi Savall - Las rutas de la esclavitud

1 Artistote: "L'humanité est divisée en deux : Les maîtres et les esclaves" / Musique: Percussions
2 Kora et Valiha
3 Djonya (Introduction)
by Jordi Savall, Kassé Mady Diabaté & Traditional
4 La Negrina / Gugurumbé
5 Vida ao Jongo (Jongo da Serrinha)
6 Récit: 1505. Le roi Ferdinand le Catholique écrit une lettre à Nicolas de Ovando / Musique: Guitare (Romanesca)
7 Tambalagumbá (Negrilla à 6 v. et bc.)
8 Velo que bonito (ou San Antonio) [Chant sacré]
9 Manden Mandinkadenou (Chant de griot)
10 Récit: 1620. Les premiers esclaves africains arrivent dans les colonies anglaises.
by Jordi Savall, Bakary Sangaré & Traditional
11 Canto de Guerreiro (Caboclinho paraibano)
12 Kouroukanfouga (Instrumental) [Anonyme (Mali)]
13 Récit: 1657. Richard Ligon publie Histoire Vraie et exacte de l'Île de la Barbade à Londres / Musique: Percussions
14 Son de la Tirana: Mariquita, María
15 Antoniya, Flaciquia, Gasipà (Negro à 5)
16 Récit: 1661. Les Châtiments des esclaves dans le « Code de l'Esclavage de la Barbade » / Musique: Tambours très lents
17 Sinanon Saran (Chant de griot)
Disc 2
1 Récit: 1685. Le « Code Noir » promulgué par Louis XIV s'est imposé jusqu'à 1848 / Musique: Kora et Oud
2 Les Indios: ¡Fuera, fuera! ¡Háganles lugar!
3 Saí da casa (Ciranda)
4 Récit: 1748. Montesquieu « De l'esclavage des nègres » / Musique: Marimba
5 Véro (Instrumental)
6 El Torbellino
7 Gulumbé: Los coflades de la estleya
8 Récit: 1782. L'esclave Belinda demande au Congrès du Massachusetts une pension en guise de réparation après une vie de labeur / Musique: Oud
9 Sanjin (Chant de griot)
10 La Iguana (Son jarocho)
11 Récit: 1848. Décret sur abolition de l'esclavage / Musique: Kora et Valiha
12 Tonada El Congo: A la mar me llevan
13 Bom de Briga (Maracatu e Samba)
14 Récit: 1963. Martin Luther-King « Pourquoi nous ne pouvons pas attendre » / Musique: Percussions
15 Dan Massa Woulanba
16 Guaracha: Ay que me abraso


sábado, 29 de abril de 2017

Cuatro Voces en Tango - Flores Negras

Cuarteto Vocal Femenino De Tango Argentino
 Laura Esses, Laura Hatton, Alejandra Cañoni y Cecilia Bonardi

Che bandoneon
El choclo
El tirere
Flores negras
La primera palabra
La ultima grela
Los mareados
Milonga de la anuciancion
Mimi Pinson
Nostalgia es la cancion
Oro y plata
Quedemonos aqui


domingo, 23 de abril de 2017

Grupo Vocal Ashpamanta - La amorosa - (Oscar Valles - Hnos. Díaz) - Vìdeo Dailymotion

Grupo Vocal Ashpamanta - La amorosa - (Oscar... por vasiendo

Grupo Vocal Ashpamanta - La amorosa - (Oscar Valles - Hnos. Díaz) - Vìdeo Dailymotion: Grupo Vocal Ashpamanta LA AMOROSA (Oscar Valles - Hnos. Díaz) Arden mis labios por ti muriéndome de amor, porque eres mi dueña, santiagueña, de mi corazón. Temblando vuelves a mí, dejándome tu adiós,* tus manos pequeñas, santiagueña, de mi corazón. Dormirán mis ojos sobre tu boca,** como en las abras el sol, amorosa flor de mi tierra, miel santiagueña, dulce como el mistol. Mis sueños te sueñan, santiagueña, de mi corazón. Lloran mis ojos por ti, lágrimas de pasión, si tú me desdeñas, santiagueña, de mi corazón. Rezo tu nombre al partir, llamándome tu voz, carita risueña, santiagueña, de mi corazón.

martes, 18 de abril de 2017

El Quinteto Sombras Bagualero Soy (1963) - Vìdeo Dailymotion

El Quinteto Sombras Bagualero Soy (1963) - Vìdeo Dailymotion: Quinteto Sombras Grupo Vocal, creado en salta en 1962, integrantes Amelita Baltar, Patricio Jimenez,(después integraría el Duo Salteño) Carlos Langou ( luego fundador de Las Voces Blancas ), Julio Ulivarri y Agustín Guerrero

El Quinteto Sombras Bagualero Soy (1963) por vasiendo

martes, 7 de marzo de 2017

Heinrich Schütz - italienische madrigale (Cantus Cölln)

1 Prima parte: O primavera, SWV 1 3:23
2 Seconda parte: O dolcezze amarissime, SWV 2 2:33
3 Selve beate, SWV 3 2:59
4 Alma afflita, SWV 4 2:57
5 Ride la primavera, SWV 7 3:05
6 Fuggi o mio core, SWV 8 3:55
7 Feritevi, ferite, SWV 9 3:24
8 Fiamma ch'allacia, SWV 10 2:44
9 Quella dama son io, SWV 11 3:11
10 Mi saluta costei, SWV 12 2:21
11 Io moro, eccho ch'io moro, SWV 13 2:26
12 Sospir che del bel petto, SWV 14 3:04
13 Dunque addio, SWV 15 3:17
14 Tornate, o cari baci, SWV 16 3:08
15 Di marmo siete voi, SWV 17 3:31
16 Giunto è pur, Lidia, SWV 18 2:25
17 Vasto mar, SWV 19 2:48
18 Così morir debb'io, SWV 5 2:57
19 D'orrida selce alpina, SWV 6 3:37




domingo, 19 de febrero de 2017

Triste - Antonio Carlos Jobim - Vìdeo Dailymotion

Triste - Antonio Carlos Jobim por vasiendo

Triste - Antonio Carlos Jobim - Vìdeo Dailymotion: TRISTE ( A.C.JOBIM) Alba Armengou ( vocals) Andrea Motis ( vocals ) Èlia Bastida ( vocals ) Rita Payés ( vocals ) Joan Chamorro presenta la magia de la veu & jazz ensemble Alba Armengou ( vocals) Joan Chamorro ( double bass and musical director) Andrea Motis ( vocals ) Èlia Bastida ( vocals ) Rita Payés ( vocals ) Ignasi Terraza ( piano ) Josep Traver ( guitar) Esteve Pi ( drums)
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